But a terrific idea is no guarantee for a terrific film. Everything depends on how gripping and absorbing the screenplay is and how deftly the director executes the subject material. RAMAA - THE SAVIOUR has some attention-grabbing moments, but they are few and far between.
Write your own movie review of Ramaa - The Saviour |
It's a tough call to cast the right faces when you set out to attempt a kiddie film. They need to look the parts, but most importantly, live the parts as well. The kids in RAMAA - THE SAVIOUR pass the test with good marks.
But it's the writing that plays a spoilsport and doesn't do justice to the concept and the efforts invested in the project. Let me explain. To start with, there should have been some detailing on the protagonist [Sahil Khan], who comes across as a mix of Tarzan and Conan The Barbarian. He has the ability to connect via telepathy with humans and animals, we're told, but what is he doing in the secluded island-jungle? Besides, what's Vali's [Khali] connection with Ramaa? Also, why were they fighting in the first place? Is Vali human or demon or spirit? Tanushree's character isn't well penned either. She belongs to the evil camp, but crosses over to Ramaa's side without any valid justification.
Sahil Khan exhibits his physique to the optimum, but the screenplay doesn't offer him scope to exhibit histrionics. Tanushree surprises in action scenes. She's wonderful. The new villain, Taleb, looks ferocious. Khali is okay. The kids, all of them, are super confident.
On the whole, RAMAA - THE SAVIOUR isn't convincing.
0 comments:
Post a Comment